| GedBibinfene | Дата: Воскресенье, 06.10.2013, 02:57 | Сообщение # 1 |
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"Fight of the Year" discuss how the remainder of the world has welcomed b-boy culture, but exactly how they're no more perceived as reducing edge or cool in the United States.
That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy before hip-hop isn't cool?".
He has to shield his dancing, music and style empire by putting American b-boys back on best. He hires an old dancing buddy, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to speed up on the existing state of dance, after that sponsor and coach a "all-star team" of the finest of America's best to handle the remainder of the globe, which has passed America by and long controlled the annual b-boy Olympics understood as "BOTY," the Battle of the Year.
That team consists of diverse egotistic, chip-on-their-shoulder showoffs, since that's what it takes to prosper. Real star professional dancers such as Do Knock and Flipz are combined with others, including vocalist Chris Brown.
And aiding coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the definite documentary on the around the world sensation, "Planet B-Boy," co-wrote and routed this, and immodestly has personalities see that film and sing its applauds. Holloway could not also mean an actual dance past, so the motion picture forges that by having his coach run his men with drills (in split-screen sequences).
Peck, when of T.V's "Drake & Josh," one-time star of "The Wackness," has a small, assisting duty however is provided top invoicing. In this instance, that means his every scene features extremely made-up and coiffed close-ups. It's laughable.
Yet tabloid favorite Brown greater than holds his very own with this staff, evidently not also needing a dance double. The dance scenes-- specifically those entailing teams from Germany, France and Korea-- take the b-boy relocate to the next level.
And there are lots of easy, undemanding laughs, the most effective lines coming from Peck's assistant coach.
"You appear like a gazelle available," he applauds his employer. "A gazelle with arthritis." Which, while it doesn't explain the motion picture, does strike this genre right in the bull's eye. But after that, the elegance of "Step Up" and all its weary imitators is that the viewers they're shooting for has no suggestion that there have been 20 or 30 movies precisely like this one that came prior to it.
He has to protect his dance, songs and fashion trend empire by placing American b-boys back on best. He works with an aged dance friend, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed up on the present state of dancing, then sponsor and coach a "desire group" of the best of America's ideal to take on the remainder of the globe, which has actually passed America by and long controlled the annual b-boy Olympics understood as "BOTY," the Battle of the Year.
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